“This standout work of historical fiction combines meticulous research with tender romance to create a riveting bildungsroman. San Francisco, “with its steep stairways and sudden glimpses of the bay between tall, narrow buildings,” is almost a character itself. Interspersed flashbacks that detail the personal histories of Lily’s parents and Aunt Judy and timelines of world events further put the 1950s Chinese American experience into context for readers.” HORN BOOK
“Lo’s lovely, realistic, and queer-positive tale is a slow burn, following Lily’s own gradual realization of her sexuality while she learns how to code-switch between being ostensibly heterosexual Chinatown Lily and lesbian Telegraph Bar Lily. In this meticulously researched title, Lo skillfully layers rich details, such as how Lily has to deal with microaggressions from gay and straight women alike and how all of Chinatown has to be careful of the insidious threat of McCarthyism. Actual events, such as Madame Chiang Kai-shek’s 1943 visit to San Francisco, form a backdrop to this story of a journey toward finding one’s authentic self. Beautifully written historical fiction about giddy, queer first love.” KIRKUS
“Smoothly referencing cultural touchstones and places with historic Chinese American significance, Lo conjures 1950s San Francisco adeptly while transcending historicity through a sincere exploration of identity and love. Back matter includes an author’s note explaining Lo’s personal connection to the story.” PUBLISHERS WEEKLY
The award winning author of Ash gives us a very different story of love and duty set in San Francisco’s Chinatown during the 1950s. Seventeen-year-old Lily Hu can’t remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father – despite his hard-won citizenship – Lily and Kath risk everything to let their love see the light of day.
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To bursts of nervous laughter, YA author Anthony McGowan kicked it off by citing Sturgeon’s Law: 90% of YA was crap, pandered to by an audience that treated the whole thing as a “this kind of amorphous quasi religion”, more of a cult than category. He lamented speaking to “monocultural audiences” of white, older women at YA conferences. Some misogynistic, cause-and-effect musing began: most YA bloggers were women, all his editors were women, “so there is a huge amount of energy directing these kinds of texts, texts that may well appeal to women in their 20s and 30s rather than to teenagers. We’ve got this female-dominated world producing texts that reflect themselves, for other young adult women,” he said, perhaps unaware of the significance of making links between gender and perceived quality.
