Piccadilly Pub Crawl
Follow the link for more photos of traditional London pubs
Follow the link for more photos of traditional London pubs
Originally opened as Simpsons of Piccadilly, today it is Britain’s largest Waterstones bookshop where I shall be giving a MAGIC LANTERN SHOW at 7pm next Wednesday 5th February showing one hundred of my favourite photographs of London old and new, selected from more than sixteen thousand pictures I have published on these pages, and telling the stories of the people and the places. It is my honour to present this as the inaugural event in The London Salon and tickets are free but should be reserved by emailing email@example.com
Growing up with a big woodland behind his home, Kilian Schoenberger has always been interested in mysterious landscapes and their secret places. The German photographer has now utilized the moody landscape and old stories of his childhood homeland to create a series of photographic illustrations inspired by the fairy tales of the Brothers Grimm. Shot in remote rural areas of Middle Europe, Brothers Grimm’s Homeland is dominated by images of haunting fog, gnarled trees and dark homes you hope are abandoned. Schoenberger’s photographs evoke the eerie feeling of the quiet before the fright, when every nerve is on edge waiting for the snap of a twig to echo through the trees.
Photographer Stella Johnson has been interviewed and featured by Eric Kim.
The work of Boston photographer Stella Johnson is grounded in her photography training at The San Francisco Art Institute and her advanced degree from Boston University. Stella was a Fulbright Scholar to Mexico in 2003-2004 and a Fulbright Senior Specialist to Mexico, in 2006, for photographing and teaching, respectively and a Visiting Scholar to the School of Art, Northeastern University, in 2007.
She teaches at the Lesley University College of Art and Design, at Boston University and at the Maine Media Workshops in Crete, Greece and Rockport, Maine. Her work is showcased in her monograph AL SOL: Photographs from Mexico, Cameroon and Nicaragua, published in 2008 by the University of Maine Press.
95 year-old Detroit street photographer and educator Bill Rauhauser has been named the 2014 Kresge Eminent Artist.
Rauhauser’s photographs have appeared in numerous exhibitions, most notably the influential Family of Man exhibition in 1955 at the Museum of Modern Art in New York, at the Archives of American Art at the Smithsonian Institute in Washington and at the Detroit Institute of Arts.
His photographs are currently on display in an exhibition titled “Bill Rauhauser Street Beat: Detroit Photographs c. 1950-1970,” at the Carl Hammer Gallery in Chicago. An exhibition at the historic Scarab Club in Detroit is forthcoming.
Early on in my life I was diagnosed with dyslexia, and some other learning difficulties. It’s hard as a kid seeing everyone else doing so well at everything, and you just can’t. So the way I found myself as a person was through art. I just loved taking pictures… MICHAEL SHAINBLUm
Saul Leiter, who has died aged 89, was one of the quiet men of American photography.
A pioneer of colour, he remained relatively unsung until he was rediscovered by curators and critics in his early 80s. Even then, Leiter was reluctant to accept the belated praise heaped upon him. “What makes anyone think that I’m any good?” he asked Tomas Leach, who directed the feature-length documentary In No Great Hurry: 13 Lessons in Life With Saul Leiter (2012). “I’m not carried away by the greatness of Mr Leiter.”
Saul Leiter, photographer, born 3 December 1923; died 26 November 2013
In comparison to other areas of photography, there’s relatively little advice online about street photography. But a number of photographers like Eric are helping to tackle this problem as well as build a solid and much-needed community for street photographers.
I think one of the most important things about a street photographer is to really understand his or her personality and how their photography reflects that. I don’t think you should try to fit your personality to a style. Rather your style should derive from your personality. For example, not everyone can shoot like Bruce Gilden or William Klein without having the personality for it. Even though they get a lot of flak for being aggressive and “in your face” they are true to their personality. As Gilden says himself when giving advice to photographers: “Shoot who you are.”
But then again, not everyone has the patience to shoot like Henri Cartier-Bresson, seeing the scene and waiting for “the decisive moment” to appear. When I started street photography, I tried to imitate his style, but found that wasn’t true to my personality. I don’t really like always being candid and unnoticed when shooting in the streets. I like to interact with people, talk to them, get to know their names and what they do and occasionally I pose them for fun. At the end of the day I just love interacting with people. To make an interesting photo personally comes second for me.
I follow the street photography collectives such as Burn My Eye, In-Public, Strange.rs, That’s Life, Stroma, and Observe for inspiration. In terms of my favorite contemporary street photographers — they currently include the following (in no particular order):
Junku Nishimura is a Japanese street photographer whose nostalgic black and white film work brings me back to the past. Sean Lotman from Kyoto has incredible color street photography from all around the globe and combines his photos with haikus which is awesome.Charlie Kirk also has some of the most stunning work done in Tokyo I have seen and is also working on a book on Istanbul which has powerful images. Charalampos Kydonakis, “Dirty Harrry,” is one of the most innovative street photographers out there and I love his surreal images.
I enjoy the work of Dana Barsuhn, a black and white film photographer in LA whose images are soulful and have a timeless feel. Satoki Nagata, a Japanese photographer who lives in Chicago creates beautiful images that border fine art, documentary and street photography. Rinzi Ruizfrom LA is a prolific shooter as well and he has created a very signature style, which focuses on light and shadows. Lastly, I would like to mention Josh White, a Canadian street photographer who is doing some great gritty work in the depths of Seoul, Korea.
I love the look of film right from the scanner. I always loved black and white photography, but when I was shooting digitally I was never happy with the conversion and the resulting tones, regardless of the tools used. My first scan of a simple black and white negative was already a revelation. Film is like a beautiful canvas the image is painted upon.
Another reason are the beauty of old film cameras. They are a joy to use, their simplicity, their vintage feel, the big, bright view finders to look through, the sound of the shutters, the feel of the mechanics when forwarding the film. All these factors are not measurable in megapixels, dynamic range or frames per second, but they inspire me and contribute to the joy I have when photographing. Maybe I am stretching it a bit, but I think they also have a positive impact on most people I photograph. Especially using a large format camera tends to fascinate people, they feel like being part of something special.