This story is about a brave and kind Anglo-Saxon princess called Frideswide who lived in Oxford a long time ago and just happened to be brilliant at climbing very tall trees. Her talent came in useful one day when a wicked king tried to kidnap her. How did she and her friends escape, and what happened to the king and his soldiers? With stunning illustrations by award-winning artist Alan Marks, Saint Frideswide’s legend is retold for young children as a tale of adventure, courage in the face of danger, friendship, and kindness, with a few surprises along the way.

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A stunning gift book containing 150 bold, brave and beautiful poems by women – from classic, well loved poets to innovative and bold modern voices. From suffragettes to school girls, from spoken word superstars to civil rights activists, from aristocratic ladies to kitchen maids, these are voices that deserve to be heard.

Collected by anthologist Ana Sampson She is Fierce: Brave, Bold and Beautiful Poems by Women contains an inclusive array of voices, from modern and contemporary poets, including Maya Angelou, Nikita Gill, Wendy Cope, Ysra Daley-Ward, Emily Bronte, Carol Ann Duffy, Fleur Adcock, Liz Berry, Jackie Kay, Hollie McNish, Imtiaz Dharker, Helen Dunmore, Emily Dickinson, Mary Oliver, Christina Rossetti, Margaret Atwood and Dorothy Parker.

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This special anthology features poems by the National Poetry Day Ambassadors, a top team of fantastic poets who bring poetry alive all year round.

Includes new poems by Deborah Alma, Joseph Coelho, Sally Crabtree, Jan Dean, Marjorie Lotfi Gill, Chrissie Gittins, Matt Goodfellow, Sophie Herxheimer, Michaela Morgan, Brian Moses, Abigail Parry, Rachel Piercey, Rachel Rooney, Joshua Siegal and Kate Wakeling (winner of the CLiPPA, 2017).

And each poet has chosen a favourite poem to share, so look out for classics by Chistina Rossetti, WB Yeats, Shakespeare and Keats among others.

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An exciting and thought-provoking celebration of all that is extraordinary in the natural world. Includes fascinating information about the creatures depicted.

Combines poetry with contextualising factual information.

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Tiny Owl is the first publisher of Eloise Greenfield’s work in the UK. Greenfield has written nearly 50 books for children in a career spanning some 60 years. She is a winner of the Coretta Scott King Award and won the Award for Excellence in Poetry of Children for her body of work.

This is a unique collection of poems about the freindshio between a young boy and his dog, charmingly illustrated in collage style by Ehsan Abdollahi, who made headlines in 2017 when he was denied a visa to attend the Edinburgh International Book Festival.

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Superb collection of some old, some reworked and some brand-new poems from this under-appreciated poet-illustrator.

West has never been a ‘contemporary’ children’s poet and probably ticks fewer boxes on the Cool checklist than ever before. But it is the very timelessness of his verse that satisfies. He writes mainly in rhyming couplets (sometimes broken into shorter lines) with a deft ear for rhythm, perfect for telling a story, as in ‘The Witch Who Was Pretty’:

This witch, she was pretty,
This witch, she was fair,
This witch had the silkiest
Shimmering hair.
Her chin wan’t pointed,
Her nose wasn’t bent,
And people admired her
Wherever she went.

Some of West’s best work is rooted in the tradition of English lullaby and song. Take ‘I Bought My Love A Tabby Cat’ which starts:

I bought my love a tabby cat
   A tabby cat, a tabby cat,
My love made him a velvet hat
   To wear when we were wed.

Often the poems are straightforwardly about times past…

Long years ago, or so it’s said,
There lived a peasant, name of Fred…

begins one of my favourites, ‘Fred’s Fantastic Boots’, which is a story about someone who has a yearning for fashionable footwear above both his station and means. But there’s no stopping him. He makes himself a pair from patches of leather:

He worked till late (he got up early)
To make the toes both long and curly.
At last he fashioned for each foot
A multi-coloured patchwork boot,
With pointed toes so elongated
That Fred felt quite exhilarated.
Then on the tip of either toe
He fixed a bell that tinkled so.

This poem is also a good example of how West’s own illustrations complement his narrative. I love the picture of three armoured soldiers carting Fred off, the pointy-toed boots still on his feet.

‘A Blackpool Ballad’ is a playful riff on Bingo-speak:

At Two Fat Ladies Tower Road
Lived lonely Sam McCrick,
Who loved a a girl along the way
At number Clickety-Click

The poem ends sadly…

They buried Sam beneath the sands,
And as the mourners passed,
Sighed Sue, ‘Life’s like a Bingo Game,
His number’s up at last!’

In summary: a highly recommended, read-aloud collection that will entertain and amuse.

Look out also for this other example of West’s work in second-hand bookshops and charity shops:

The Times Educational Supplement said of this: “This handsome book gathers West’s nonsense verse across two decades. Liberally illustrated in colour by West himself (he produces picture books as well as poetry), this book should be in every teacher’s personal library, on hand should an opportunity for five minutes of off-message, anarchic laughter present itself.”