LARAINE BARKER's
review:
I
came to this book from the perspective of someone unacquainted not
only with The Merchant of Venice but also with Shakespeare's work.
We didn't study Shakespeare at school and I have trouble coping
with 16th century English. If video and audio productions would
only follow the plays exactly as Shakespeare wrote them, having
the script in front of me might help.
In
Shylock's Daughter, sixteen-year-old Jessica longs to escape
the rules and persecution of the Jewish Ghetto and falls for Lorenzo,
who seems to promise all she ever wanted. But Lorenzo is a Christian
aristocrat, which means the relationship is forbidden. To chase
her dream, Jessica must hurt all those she loves and even spurn
the faith in which she was raised. Is Lorenzo worth the terrible
price she must pay to be with him? Readers must make up their own
minds about this, but my ultimate response was that he isn't. I
suspect he will sooner or later find himself a Christian woman and
throw Jessica aside without a moment's thought.
Shylock's
Daughter certainly opened my eyes to the extent of the obscene
persecution suffered by the Jews at the hands of so-called Christians
throughout the ages. I had no idea of the extent of it. The Catholic
Church is only now beginning to acknowledge that the Crusades, the
Spanish Inquisition and other episodes in its history were inexcusable
and something of which to be deeply ashamed. I expected the book
to be told more from Jessica's point of view, especially as it's
relatively short. Dalilah was the character with whom I had most
sympathy, equalled perhaps by Amalia. What Dalilah did for Jessica's
sake (and for Shylock) must have taken enormous courage. The world
would have seemed so huge in the sixteenth century, especially to
such a sheltered young girl.
One
can't help feeling sorry for Shylock, of course, even though he
does bring about his own downfall. Dalilah's love for her foster-sister
shines through radiantly, but when seen through Dalilah's eyes Jessica
appears not only vain but also lazy, though I could appreciate that
her longing for Lorenzo and everything she thinks he has to offer
would sap her energy. I would have liked more of Dalilah's story.
A glossary explaining the terms used in the book would also have
been helpful, especially for young people.
I
had a little trouble getting into the story, obtaining a "feel"
for both Venice and 16th century life. There was little real description
of clothes and buildings, etc. The cover's pouting 20th century
face with all its eye makeup didn't help, though I understand the
reason for it: today's young readers are unlikely to pick up a book
whose cover depicts a 16th century woman. The shortness of today's
books for young people might be one reason for the lack of detail,
but eventually I ceased to worry about it and got caught up in the
story.
As
a writer of fantasy for young people, I naturally read mostly fantasy.
Though not rich in language like some of the fantasy I've been reading
recently (e.g., The Stones are Hatching by Geraldine McCaughrean)
Shylock's Daughter is still a thought-provoking and moving
story that I'm sure many young people (and their parents) will enjoy.
However, there is still so much more story that could be told. What
happens to Dalilah? What happens to Jessica and Lorenzo's relationship?
And what of Shylock himself? I do hope Mirjam Pressler writes a
sequel.