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Purporting to guide readers through the ‘mysterious and inventive life of Enid Blyton’, Duncan McLaren’s “Looking for Enid” documents the geography that lay behind much of her life and attempts to place this in context of her work. The major initial problem with this line of thinking is that the hypothesis it posits is reliant upon the weight of emphasis and significance that McLaren places upon particular works and characters at the exclusion of others that are in contravention of his pre-defined ideologies, making this a curiously single-sided work. Only those out of the many tunnels and secret passages that fit with McLaren’s slightly aslant psycho-analytic reading, only those towers which fit with the autobiographical detail he feels permeates the works are granted accord, the remainder meanwhile are dismissed.

In spite of this, parts of McLaren’s work are revelatory and parts of his research – where it is grounded and does not involve flirtatious theorising that seems to serve its apparent primary purpose, the titillation of his travelling companion Kate – are to be applauded. This, however, is too dilute and embedded within too much supposition to be of major interest.

With the literary equivalent of a nervous-twitch, McLaren appropriates Blyton’s characters and lives out parts of his own thoughts, feelings and desires and those that he projects upon Blyton herself. This occurs most inappropriately when Enid and first husband Hugh have an imagined bed-time conversation as rabbits, Binkle and Flip discussing the hope for a fully-developed uterus… “Oh, it wouldn’t have to be a fully developed one. Not an arterial road running right through me! But perhaps I could wish for the uerus of an 18-year-old girl. Do you think that would be too much to ask for?” It becomes hard not to recoil!

Blyton’s position within the children’s literature world and the sheer mass of work she produced means that further consideration – and that which travels beyond the shifting trends and tectonics of political correctness – is needed, but this title is unequal to that. Barbara Stoney’s official biography is far more engaging, more precisely written and of lasting interest than the current work.

Portobello must be praised for the high-production values on this work, however, whether the self-indulgent content in its current form warranted publication is certainly questionable.

As with any reference work whose knowledge-base and scope is so wide, “Pick Me Up” deals, for the most part, with its topics quite cursorily as such the book provides a useful ‘backbone’ to reference collections and a springboard from which it is possible to garner that all-too-rare and real context and understanding to given topics and to leap-frog into more in depth publications and websites as the desire takes.

As with a standard encyclopaedia, the work is structured under disciplinary subject areas – ‘Science, technology and space’, ‘Society, places and beliefs’, “History’, “The natural world’, ‘People who made the world’, ‘Arts, entertainment and media’, ‘You and your body’ and ‘Planet Earth’. This gives options for more standard usage by readers alongside those who wish to meander along ‘learning trails’.

The highly illustrated, magazine-style content, makes the book both easy on the eye and quick to engage with and from which to assimilate knowledge. A wide-reaching and thoughtfully structured development to the often seemingly static reference genre, a picture perhaps of the future?

Thematically arranged under eight headings, ‘Strange World’, ‘Weird and Wonderful’, ‘Breaking Boundaries’, Amazing Animals’, ‘Larger than Life’, Impossible Feats’, ‘Simply Unbelievable’ and ‘The Final Reckoning’, the book provides a perfect antidote for times when life feels humdrum.

Archive features tap into the rich historical vein of Ripley’s meticulous research, in depth features provide interviews and background to a number of participants and interludes showcasing features from amongst Ripley’s 29 museums in 10 different countries relay the type of geographical spread of the phenomenon that ‘Believe it or Not’ has become.

“Believe It or Not! 2007” is one of those rare books that is genuinely so engaging that it can be opened at any page and guaranteed to entertain, to educate and to enrich. There is Jim Mouth, the man with the outrageously outsized mouth – able to fit 157 straws in it at once – Wang Yide, the lick artist from China, Bruce the goldfish who meausres in at an enormous 17.129 inches, Cathie Jung aged 68 who has worn a corset for over 20 years and now sports an incredible 15 inch waist and much, much more…

Our world is often a peculiar one dominated as much by the exceptional as by precedent. There can be few better ways to celebrate this uniqueness and colour than through perusing this astonishing volume.

Donations of the illustrations by the artists allows royalties from the sales of the book to go to IBBY enabling it to sustain and develop it work in ensuring children the world over have access to high quality books. Each artist presents a short text – nursery rhymes, poetry, riddles, idioms etc – to accompany their illustration.

Thirty-two double page spreads by different illustrators are included, as well as a short summary of biographical and bibliographical information. Countries represented include the United States, Japan, the Czech Republic, Sweden, Canada, Austria, Iran, Brazil, France and many more…

A wealth of recommendations for artists and books to seek out makes this a most welcome addition to the multi-cultural bookshelf and a book to pore over and admire.

“Over 70 Tried and Tested Great Books to Read Aloud” does exactly what it says on the tin. Within this practical and highly affordable little book – priced at only a pound it really is a snip – is an endorsement by Jacqueline Wilson who is - as any of her fans will testify - an avid reader, a brief overview of the benefits of reading aloud providing by Guardian children’s literature editor Julia Eccleshare and some top tips for reading aloud.

A soiree of celebrities have endorsed the book providing personal anecdotes and favourite books for reading aloud. Whilst some of the celebrity choices seem a little arbitrary – though effusive Cherie Booth QC says little that does more than to add to the overall cumulative effect that reading aloud with children is good – those which work best are perhaps the authors - their recommendations and anecdotes at points provide real insight into their work and reading habit serving to genuinely inspire.

Needless to say with just over 70 recommendations, this is far from being a comprehensive guide, nonetheless some excellent titles are recommended here and they come with the assurance that they have been ‘tried and tested’. There are, however, some shocking oversights, any of Philip Ridley’s books should be featured here, they lend themselves perfectly to being read aloud and in many instances the lyricism of his text is best appreciated when audibly read. The brilliant and highly innovative picture books “The Wolves in the Walls” and “The Day I Swapped My Dad for Two Goldfish” are carefully crafted by Neil Gaiman and Dave McKean so that they can be read aloud with alacrity – the illustrations help allow for really dynamic readings! Any of Jan Mark’s wonderful and highly diverse collections of short-stories make for a real treat when read aloud. The Portuguese poetry collection “The Moon has written you a poem” stretches mind and imagination alike and has a superb, dream-like quality that lends itself to being read aloud in hushed-tones prior to bedtime… [Which books would you recommend? Why not click here and go to ACHUKACHAT to have your say?!]

In short this is a great collection of recommendations to read aloud and offers some worthwhile guidance notes. It is still no substitute for browsing and trying and testing books on one’s own children, the children one knows, or any child who can be introduced to their local library or bookshop where a whole world awaits them…

Most guides of this type have to be produced on a shoestring of a budget and often appear in dowdy pamphlet format. This one has been designed and produced to an extremely high standard (it has benefitted from Arts Council sponsorship), with cover and inside illustrations by Pablo Bernasconi. An essential resource for anyone seriously interested in giving children the widest access to all that's best in children's books from around the world. More than being a handy signpost to what's available today, this bright user-friendly production ought to serve as an incentive for publishers to produce an increasing number of books in translation in the future.