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Set Pieces Strung Like beads

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Susan Hill

Feature from The Independent by Nicolette Jones about Susan Hill and her new children's novel The Battle For Gullywith

"I wanted to write a story children would want to get into," she says. "I wanted parts that were lovely, warm and magical to balance off the sinister bits. And I love doing scenes lit from within or without. Like the scene in Hardy's The Return of the Native where Clem Yeobright and Damon Wildeve are dicing on Egdon Heath at night, lit by glow-worms. I have... set-pieces I want to do and then I join them up like a string of beads. I even do it with the crime novels."

Philip Pullman interviewed in The Times

"I want a big audience, partly because the more readers you get the more money you get. And if you want a big audience you have to write clearly and tell a story people are interested in." With this in mind, he has stuck to his preferred storytelling device in his latest work: the omniscient narrator. He most admires "the great 19th-century novelists", has little time for the tricksy subversions practised by highbrow modernists and denies there is much nourishment to be gained from exploring "the endless ways of saying things"...

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