ACHUKA: December 2004 Archives

CBE For Quentin Blake

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BBC NEWS | Entertainment | Arts | Quentin Blake: A life in pictures

Renowned illustrator Quentin Blake has been made a CBE in the New Year Honours list.

Potter's Peter Told In Ancient Egyptian

BEATRIX POTTER?S The Tale of Peter Rabbit has been translated into ancient Egyptian hieroglyphs by a curator from the British Museum and a retired medical expert.

Awfully Well Written

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Gretchen Breary and Me (about Nancy Breary)

In a passage from Fathers and Sons by Alexander Waugh (p.290), with regard to Evelyn Waugh's relationships with his children, particularly Teresa and Auberon:

When Vera [the children's nanny] gave Teresa [his daughter] a children's novel by Nancy Breary for Christmas he confiscated it. Vera was terrified, but the next day Evelyn came into the nursery with the novel in his hand, 'Vera is a genius! This book is awfully well written," he proclaimed and returned it to Teresa.

You will look in vain for entries about Nancy Breary in general reference titles such as The Cambridge Guide to Children's Books or The Oxford Companion, so the above link is of special interest.

There are currently two of Breary's books available on eBay - not via ACHUKA Auctions, but we are happy to advertise them nevertheless:

Fourth Form Detectives

Five Sisters At Sedgewick

Philadelphia Inquirer | 12/27/2004 | His life is pegged to old techniques

Lofting, 59, said he learned timber framing from craftsmen in New England in the early 1970s. When he started his business in 1974, he said, there were only a few timber framers in Pennsylvania. But now, he said, there are about two dozen working in the area. He said he has trained a third of them...

If Lofting's name has a familiar ring, it is because his grandfather is author Hugh Lofting, creator of the Doctor Dolittle series of children's books.

His seven-member firm, with annual gross receipts of $800,000, includes his daughter, Elliott (an old family name), and his son, Hugh II.

Weakest Link

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Could children's author & illustrator, Shoo Rayner be the 'weakest link'. Shoo is rumoured to feature in the Bank Holiday show to be broadcast Monday 27th December at 5.15pm on BBC2.

Hot announcement from Bloomsbury!!!

J.K. ROWLING?S HARRY POTTER AND THE HALF-BLOOD PRINCE

TO BE PUBLISHED ON 16th JULY, 2005 IN THE UNITED KINGDOM, THE UNITED STATES, CANADA, AUSTRALIA, NEW ZEALAND AND SOUTH AFRICA

Read full Press Release...

Briggs Profile

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Guardian Unlimited Books | By genre | Profile: Raymond Briggs

Long, excellent profile (by Nicholas Wroe) of Raymond Briggs...

In a recent appearance on the children's TV programme Blue Peter, answering questions from a group of children, Briggs referred to himself as a "miserable git", corrected one child for an error in a question, explained that endings are inherently sad because death is the real ending and praised a 12-year-old's self-portrait by saying it made the child "look about 40".

Not to be missed...

Scrivener's Return

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Publishing News - News Page

OBSERVERS BELIEVE SCHOLASTIC Publisher Richard Scrivener, who left the company last week, will find another position relatively quickly, given the expansion in children?s publishing in recent years.

A report in Publishing News expresses no surprise at Richard Scrivener's departure from Scholastic, and a good deal of confidence that he will find a new role in children's publishing fairly swiftly.

Rowan's Last Day

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This is Rowan Stanfield's last day in the Orion office. ACHUKA understands that her role will be temporarily covered in the New Year by Jo Williams, previously at HarperCollins.

In Search Of Mary Poppins

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Into The Mystic: The Mary Poppins Enigma

Fascinating feature from Monday's Times by author of Out Of The Sky She Came: The Life Of P. L. Travers (Hodder Headline Australia).

A South Bank Show special, about the biographer's search of her subject, will be shown on the South Bank Show, ITV, on Boxing Day. Mary Poppins, the stage show, opened at the Prince Edward Theatre yesterday.

How Dark Can It Get

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Newsday.com - Movies and Showtimes

Recommended Newsday article about'darkness' in children's books...

"You can trace unhappy endings to the Grimm Brothers and Hans Christian Andersen. Early fairy tales were gruesome," says Susan Rich, who edits the Snicket books, written by 34-year-old Daniel Handler. Handler's books "are a natural outgrowth of Victorian stories, where bad things are always happening to orphans." Dicken's Oliver Twist comes to mind, but Rich thinks the Snicket stories also follow in the tradition of Dahl, who "portrayed fairly tragic, alarming scenarios for his young protagonists."

Dina's Top Ten

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Guardian Unlimited | The Guardian | A book for Christmas

Dina Rabinovitch selected her 10 favourite children's books of the year in yesterday's Guardian...

Reading Joy

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BBC NEWS | UK | Instilling a joy of reading

Children's Laureate Michael Morpurgo says instilling a "joy of reading" in young children would help address a widening gap in primary school reading standards... ...

Bad Sex Award

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CNN.com - Tom Wolfe wins bad sex award - Dec 13, 2004

American author and journalist Tom Wolfe won one of the world's most dreaded literary accolades on Monday -- the British prize for bad sex in fiction...

Tom Conti presented the award to an absent Tom Wolfe. In his witty introduction, Alexander Waugh - son of Auberon, founder of the award - had teased the audience into thinking that Wolfe had been present, chatting to guests at the start of the evening, but had fled prior to the presentation.

It was my first time at the Award party - (I had been on the brink of attending last year, when it seemd likely that Melvin Burgess would be shortlisted for passages in Doing It) - and it was refreshing to be at an event where I did not have to have the ACHUKA camera in hand, finger ever-ready on the button.

It was also novel not to see the usual posse of familiar faces amongst the guests. There were plenty of readily recognizable media people there, but hardly anyone I had met previously.

An exception was Richard Beswick, editor of my biography of Tennyson. It was good to have a quick chat with him, and to hear him sharing thoughts with Alexander Waugh on the current low esteem of literary biography. Waugh's own book - Fathers And Sons, The Autobiography Of A Family - has been getting rave reviews here, but is apparently hampered in the US by its 'arts & letters' ambience.

My latest children's books page is in Literary Review's excellent current issue.

Daniel Handler Profile

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Lemony Snicket - The Herald

Another profile of Daniel Handler, a.k.a. Lemony Snicket, from yesterday's Herald...

Recommended

A colour magazine feature in yesterday's Times Magazine (p36), with double-page-spread group photo of Joyce Dunbar, Jane Ray, Jeanette Winterson, Polly Dunbar, Jan Ormerod, Lindsey Gardiner, Michael Rosen, Neal Layton, Allan Ahlberg, Raymond Briggs, Axel Scheffler and Julia Donaldson - all of whom are interviewed in author-illustrator pairs.
Well worth tracking down. Raymond Briggs on great form. Saying, of Allan Ahlberg's request for him to be the illustrator of the first Bert book: "He just thought I'd be cheap! I'd never heard of him. I thought with his funny foreign name he was an asylum seeker and his career might need a leg-up." And returning to a theme he developed a year or two ago in our ACHUKA interview, namely his belief that the Bert books should have been published in small format: "Publishers are so stupid. I imagined about four Bert books, a Bert's Box, even, but they said small books don't sell. What about Beatrix Potter and Mr Men, for God's sake?"

First Book

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My First Book

From yesterday's Times, David Almond talks about his first efforts at fiction writing, in a feature that included Margaret Atwood, Ali Smith and Ian Rankin. [Scroll down the webpage to locate Almond's section.]

When this book, Skellig, was published by Hodder, I was called a new writer. It was assumed that it must be my first book. No one had heard of the little Iron Press or the little Sleepless Nights. But both books shared a starting point, in a room in an ancient Suffolk farm, and both were similarly important to me, in building that unpredictable pursuit called a literary career.

Max Velthuijs Profile

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Guardian Unlimited Books | Review | Frog and friends

A profile of Max Velthuijs, by Joanna Carey...

Not to be missed

Competition Update & Latest Clues

Competition Closed

The winner will be announced tomorrow.

ACHUKACHICK

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ACHUKASHOP | CafePress

Many of you adore our ACHUKACHICK Logo - so I've decided to make ACHUKACHICK available on various Cafepress items in time for Christmas!


Penny Webber Moving On

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Penny Webber (seen below right with Venetia Gosling and Patrick Cave), currently Children's Marketing Director at Simon & Schuster, and previously at Macmillan, is leaving at the end of the month to go freelance - and relocating (like BBC Children's TV) to Manchester.

Hi-Tech Hubert

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Guardian Unlimited Books | By genre | Child's eye view

An interview with Lauren Child, about her new book Hubert Horatio Bobdon-Trent...

it is the first of Child's books to be produced entirely on computer rather than using a mixture of media; it was all drawn and coloured on screen then printed off, cut out, put together again as a collage with scissors and glue then scanned back in.

Highly recommended

The Observer | Review | Gore blimey

Kate Kellaway writes a long piece about Darren Shan and the attraction of horror to children aged 8 and up.

Highly recommended

The Way Things Work

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Daily News Transcript - Arts & Culture News

A profile of David Macaulay:

Macaulay, a trim and youthful 57, is probably best known for the weighty 1988 opus, The Way Things Work (Houghton Mifflin, 384 pages, $30), and its sequel, published 10 years later. It's a colorful and cartoonish exploration, demystifying complexities ranging from salad spinners, squirt guns and vacuum cleaners to the less homey technology of nuclear power... ...

Recommended

YAF Where Are They Now?

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Shanville Monthly

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Darren Shan Monthly 53

The latest issue of Shanville Monthly...

Turning Point

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In the delegates' pack, David Belbin, the conference's organiser, wrote:
YAF is at a turning point. There is a new generation of powerful writers coming through and much discussion of 'crossover' success, where adults read novels they would have never considered reading when younger. But it's not clear whether YAF is part of this. YAF is the least economically significant sector of children's books, one where it is hard for writers to earn a living because the audience predominantly borrows rather than buys its books. Many authors feel they are working in the dark, doing important work with little recognition..
Later in the day, Julia Eccleshare was to take issue with the notion that YA literature is a disregarded adjunct of the trade, but the members of the first panel sought to define exactly what Young Adult Fiction is.

Nicola Morgan spoke (with an almost fearsome intelligence and air of certainty) about the teenage brain (she has a book on the subject coming out next year). Because the teenage brain functions differently from the adult brain, the teenage novel has to relate to the reader in a different way compared with the adult novel. Good books should be like strawberries, she said. We eat spinach because it's good for us. We eat strawberries because they taste good.

Kevin Brooks observed that a major difference between adults and teenagers was that all adults have been teenagers but no teenager has been an adult. He added that he wasn't sure what this signified.

Alison Waller, who has recently completed her PhD in children's literature at Nottingham, and is now teaching a screenwriting module at Bath, explained that academics consider YAF to be a distinct branch of literature, comprising many genres, such as the 'novel of ideas', a literature aimed at young adults and designed to 'grow the mind a size larger'.
Graham Marks, in the chair, asked 'Why are you writing these books?' - having been asked the same question recently by his own son, and discovering himself struggling for a response.
Questions from the floor tended to focus on how best to get YA books to their audience, rather than on what YAF actually is. The librarians' voice in the audience was loud and clear throughout the day. "Please can we have more money for fresh stock!"
There were nods of approval when one of the novelist delegates, Alison Prince, pointed out that there was a danger in identifying 'the teenager' as one specific animal.

The next panel (Keith Gray, Beverley Naidoo, Bali Rai - with David Belbin in the chair) wondered whether the 'issue' novel was dead, but none of the panellists seemed comfortable with the term. Keith Gray thought it interesting that when people discuss his books they will talk about the 'theme' of friendship but the 'issue' of bullying. Linda Newbery, from the auditorium, said that she dislikes the phrase 'tackles issues'.

The panellists gave a brief individual talk. Each was good. Keith Gray's was by far the most entertaining. And, picking up on remarks made by Nicola Morgan, he pointed out that writers are good at hiding a bit of spinach inside the strawberry.

After lunch, Anne Cassidy - given a cheer on her introduction for her recent and overdue award successes - said that she felt there was still a large untapped audience. She envisaged a ravine between two clifftops. Young Adult books on one side; swathes of unaware teenagers on the other. "We are the bridge," a school librarian screamed. (I know. School librarians don't scream. But you get the message.) I felt a little sorry for Anne. She came on so positively, so full of ideas for getting the message out. What about text messaging she asked, with reference to her husband's penchant for text messages about his favourite football team. Good point, I thought. Exactly the way YAF publicictiy and marketing people should be thinking.

Unfortunately, Justin Somper, publicist supremo, was unable to attend the conference. Had he been there, I'm sure Anne Cassidy's viewpoint would have received more robust backing. As it was, Julia Eccleshare, seeing things from the perspective of the review pages in The Guardian, wondered what all the whingeing was about. YAF has never had it so good, all our lead reviews feature YA rather children's titles. David Fickling, harking back twenty years to a similar event in the 1980s, felt that not much had changed, and that, anyway, it wasn't a publisher's job to market a book. If a book is worth reading, it'll find its audience. By word of mouth. By recommendation.

Additional promotion is down to others. Libraries. Bookshops. Anne Cassidy was impressively unphased. She still felt more could be done. So do I. So, I would surmise, does Justin Somper.


The notion that all books find their true audience, by word-of-mouth etc. is crazy, especially in respect of YAF. Although Julia Eccleshare was correct in arguing that it is older fiction that is currently getting all the attention, she was arguing against the grain of the event.

Yes, books like Wolf Brother and Children Of The Lamp are getting big advances and plenty of review space. But no one can seriously argue that these are Young Adult novels in the context of what was being discussed at this conference. I wished that the likes of Alan Gibbons, Robert Swindells, Tim Bowler had been in the audience to augment the panellists' views. I was itching to join the debate, but having been invited as 'press' I felt my place was as an observer rather than participant.

YAF has always been my special interest. I began reviewing teenage fiction for The Scotsman in 1995. ACHUKA was born two years later, in reponse to the media frenzy over Junk's winning of the Carnegie Medal. Robert Cormier is the standard by which I judge all YA fiction. I wished the opening panel discussion had managed to tease out a distinction between teen fiction and true YAF, but it is in the nature of conferences such as this that important 'issues' remain unresolved. Melvin Burgess comes close to Robert Cormier in two of his books, Lady and Bloodtide.

His closing talk was great. A showman justifably ridiculiing the perverse objections to his work.

This is Bali Rai signing books between the panels. A feature of the day that delegates especially valued was the fact that authors stayed for the whole event.
Soundclips will be added to this report in due course.

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About this Archive

This page is a archive of entries in the ACHUKA category from December 2004.

ACHUKA: November 2004 is the previous archive.

ACHUKA: January 2005 is the next archive.

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